Recent Movies

Runner Runner (2013)

When a poor college student who cracks an online poker game goes bust, he arranges a face-to-face with the man he thinks cheated him, a sly offshore entrepreneur.

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Truth be told, I would’ve had the review up sooner if not for the fact that when I was Runner Runner, I fell asleep during the movie.  Not because of being sleep depraved or having narcolepsy, no, it’s because the movie was boring me so much, my brain decided it would be better to pay $10.75 just to take a nap. But when you’re writing a review, its best to see the whole movie…or so I’ve been told.  The bad part is, I had to pay and watch Runner Runner again (I may also have the distinct pleasure of being the only person in America to have seen this movie twice).  So if you haven’t already caught on to where I’m going with this, Runner Runner is awful…just plain awful
No one really wanted to see Justin Timberlake’s Runner Runner this weekend. In fact, that film’s stumble had us discussing around the Fandango offices how Jt can better guide his professional acting career. Our consensus? There’s hope for him yet, but he needs to pick several more projects like Joel and Ethan Coen’s Inside Llewyn Davis.     Gravity might be the best movie I see this year, but Llewyn Davis is establishing its place as the movie I’m most going to love with all of my heart simply because it speaks to all of the warm, relatable and slightly damaged elements I look for in off-kilter stories.
Over the weekend, Justin Timberlake's latest film, Runner Runner, hit theaters. You may know it as the film in which he says, "Those are crocodiles," while staring at crocodiles. It did not do great.  Today, Variety published an op ed titled, "Why Justin Timberlake Should Stop Acting." In it, Runner Runner was deemed a "a spectacular box office flop" and J.T.'s acting in it was described as, "A lost celebrity hosting Saturday Night Live who can't find the teleprompter."  The piece concludes, "An artist who can rock the [Vmas] like Timberlake doesn't need a second mediocre career." While we wait for Mila Kunis to verbally bitch slap the Variety writer

Cloudy with a Chance of Meatballs 2 (2013)

Flint Lockwood now works at The Live Corp Company for his idol Chester V. But he's forced to leave his post when he learns that his most infamous machine is still operational and is churning out menacing food-animal hybrids.

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Movie News - A huge opening for 'Gravity' - the Sandra Bullock and George Clooney film brought in big crowds in Us theaters and enjoyed a record-breaking opening weekend in the United States. The Alfonso Cuaron-directed space thriller, which stars George Clooneyand Sandra Bullock, had the highest grossing October debut in history, taking in $55.5 million between Friday (04.10.13) and Sunday. The blockbuster film stars Bullock as a medical engineer who goes on her first deep space mission with an experienced astronaut (Clooney), however, the pair find themselves lost in space and struggling to survive when their shuttle is damaged. 'Gravity' has earned rave reviews from critics and fellow filmmakers, including 'Titanic' and 'Avatar' helmer James Cameron, who deemed the flick the ''best space film'' he's ever seen. The film ousted last week's box office number one, 'Cloudy with a Chance of Meatballs 2',
Five things we learned at the Us box office this week, as Alfonso Cuarón's space story smashes records, and the Spanish language market goes loco
• Gravity makes out-of-this-world profit
• Gravity - watch the trailer
Originality matters!
Remember Sally Field's deliciously batty Oscar acceptance speech back in 1985 for Places in the Heart when she bleated to the crowd, "You like me!" Gravity director Alfonso Cuarón and the folks at Warner Brothers could be excused for having a Field day right now, after audiences took their original story to heart. Gravity soared to No 1 on an estimated $55.5m, delivering a ringing endorsement of original storytelling.
Originality is an endangered species in Hollywood so hats off to Cuarón, who co-wrote the screenplay with his son Jonas, and his studio backers. If you could hear them scream with delight from space, you'd hear it from space.
October box office records tumble

Gravity (2013)

A medical engineer and an astronaut work together to survive after an accident leaves them adrift in space.

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Warning: The following post contains major spoilers for Gravity. Unless you're an astronaut or a scientist out to pick apart all the little truths Gravity may or may not have stretched in order to create a captivating work of fiction, there aren't many controversial moments to be found in the film. However there is one particular scene that stands out as what we'll call "the borderline scene" -- and what that means is this scene pulls you completely out of the film before dropping you back in way deeper than you were before. 
By now I hope most (if not all) of you have seen Alfonso Cuaron's terrific new film Gravity at least once. Some of you have probably even seen it a bunch of times already. Not only is it an epic piece of cinema and among the year's best movies, it also represents a rare science fiction Oscar contender (and yes, I know calling it "sci-fi" is debatable, but it's close enough). That genre has had a hard going in the Best Picture field over the years, but it's possible that the days of knowing that a sci-fi flick was a surefire Academy loser might very well be over this year. I don't actually think that Gravity will take home the Oscar at this point, but it could make a stronger play than just about any other contender of its ilk over the last decade or so
The Hollywood Reporter Woody Allen pulls Blue Jasmine from its India release due to anti-smoking laws. Don't tell Woody how his films have to be shown. He gets riled up. See also: Manhattan's (lack of) history on television.
Vulture one of our all time favorite DPs Emmanuel Lubezki looks at scenes from 5 of his beauties: The Tree of Life, Y Tu Mama Tambien,Children of Men and Gravity
Cinema Blend Katey on SNL's 50 Shades of Grey audition skit
San Francisco Chronicle how to spot a future classic? interesting article.
The Wrap on the huge amount of documentaries that Oscar voters will have to mull over
Vulture Patton Oswalt reveals his crushes from the Whedonverse. This is so cute
Cinema Viewfinder on the racial politics of Captain Phillips
Playbill NYC and Brooklyn residents take note: sing-along screening of Little Shop of Horrors coming up with Rick Moranis

CBGB (2013)

A look at the New York City punk-rock scene and the venerable nightclub, CBGB.

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Ashley Greene is looking cute in floral—not ready to hit the club like the character she plays in Cbgb! On Sunday, Oct. 6, the 26-year-old actress and Paul Khoury had a day date in Studio City, Calif. Greene held hands with her Aussie beau, who unlike her, was dressed in all black. This isn't the first time the brunette beauty has shown a bit of Pda with the TV personality, who happens to be a friend of Liam Hemsworth's. On Sept. 29, he and Greene stepped out together in L.A., sparking engagement rumors because the Twilight alum had a ring on that finger.
New York was a darker place in the 1970s, when President Ford essentially told the bankrupt city to “Drop dead,” and Martin Scorsese’s Travis Bickle rhapsodized about “a real rain will come and wash all this scum off the streets.” It was the perfect breeding ground for a generation of angry youth whose creative obsessions with rebellion and anarchy, both real and stylized, became legendary at a church of punk called Cbgb. The club was a dive when it opened in 1973 and it was exactly the same when it finally closed in 2006.
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Beckett has accepted Castle's marriage proposal, but how will that affect the rest of the group on "Castle"? That's the tease Stana Katic gave of some of the troubles facing the couple in a new interview with "Good Morning America."
"I think that [marriage is] a big step for the two of them, of course. They had a lot of that will they/won't they for a long time. Finally they're committed to each other," Katic says. "It will be interesting to see how that trickles down to the rest of the group, because I'm sure everyone has an opinion about weddings and dresses and all that."
In addition to her work on "Castle," Katic also stars in "Cbgb" as real-life musician Genya Ravan. That film is due in theaters on Oct. 11, and it turns out Katic has an emotional attachment to the famous nightclub. 

All the Boys Love Mandy Lane (2006)

A group of high-schoolers invite Mandy Lane, a good girl who became quite hot over the summer, to a weekend party on a secluded ranch. While the festivities rage on, the number of revelers begins to drop quite mysteriously.

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BAFTA TV Award and Tony Award winning actress Jennifer Ehle (Zero Dark Thirty,Contagion), Anson Mount (AMC’s “Hell on Wheels,” Safe), Abigail Spencer (Sundance Channel’s “Rectify,” Oz The Great And The Powerful) and Marcus Thomas (You Kill Me,Drowning Mona) join the cast of heist film The Forger.
The four will star alongside two-time Academy Award nominee and two-time Golden Globe winner John Travolta, Oscar winner Christopher Plummer (BeginnersThe Last Station) and Venice Film Festival Award winner for Best New Young Actor Tye Sheridan (Joe, MudThe Tree Of Life).
The film started shooting today, October 7th on location in Boston, Massachusetts.
BAFTA and Emmy Award-winning director Philip Martin (BBC’s “Wallander”) is directing from a script by Richard D’Ovidio (The Call)

Title: All the Boys Love Mandy Lane Director: Jonathan Levine (’50/50,’ ‘Warm Bodies,’ ‘The Wackness’) Starring: Amber Heard (‘Paranoia,’ ‘Zombieland’), Anson Mount (TV’s ‘Hell on Wheels’) and Michael Welch (‘Twilight’) Finding a way to intriguingly stand out from the crowd, and capturing a unique voice among your peers who are telling stereotypically similar stories, can be a difficult process for some. FilmmakerJonathan Levine, who has gained attention for helming such movies as ’50/50,’ ‘Warm Bodies’ and ‘The Wackness’ in his later career, is finally releasing his feature film directorial debut, 2006′s horror mystery thriller, ‘All the Boys Love Mandy Lane.’ Not only does the title character of the film
The Pain is Calling, Oh Mandy: Levinson’s Satisfying Debut Finally Hits Theaters
Premiering at the Toronto Film Festival way back in 2006, Jonathan Levine’s directorial debut, All the Boys Love Mandy Lane will finally hit theaters. Three subsequent films by Levine have been completed and released in the interim, and star Amber Heard has gone on to become a notable rising star in the Hollywood film system. Curiously, his debut is modeled after 1980s slasher flicks, though featuring better character development than many of the grindhouse titles it pays homage to. Trashily compelling in its over the top handling of the male gaze and consumption of the female image, there’s hardly anything revolutionary going on in the thanklessly delayed flick, and it’s blighted with a wowser of an ill-advised final twist

The Inevitable Defeat of Mister & Pete (2013)

Coming of age story about two inner city youths, who are left to fend for themselves over the summer after their mothers are taken away by the authorities.

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Codeblack Films/Lionsgate will release George Tillman Jr.'s The Inevitable Defeat Of Mister And Pete in theaters on October 11, in a limited release, and will roll it out to other major markets gradually. Making its world premiere at the Sundance Film Festival in January, the drama stars Jennifer HudsonSkylan BrooksAnthony MackieJordin SparksJeffrey Wright, and Adewale Akinnuoye-Agbaje, in a film that sees Hudson as a drug addict mother whose arrest forces her son and his best friend to fend for themselves. During a sweltering summer in New York City, 14-year-old Mister’s hard-living mother is apprehended by the 

Bet has an exclusive look at one of the films that are going to have all of the critics buzzing this year. The website posted a clip of Anthony Mackie in “The Inevitable Defeat of Mister and Pete.” Mackie plays a powerful kingpin who becomes involved in a Mister’s (Skylan Brooks) search for his missing mother (Jennifer Hudson). Check out the clip, embedded below, as well as the poster. “The Inevitable Defeat of Mister and Pete” is directed by George Tillman, Jr. and also stars Jordin SparksJeffrey WrightAdewale Akinnuoye-Agbaje and Ethan Dizon. The film also features new music by co-producer Alicia Keys. The film is presented by Codeblack

George Tillman Jr's The Inevitable Defeat of Mister & Pete has been selected as the 2013 closing night film for the Hollywood Black Film Festival (Hbff), announced this afternoon by Tanya Kersey, Founder and Executive Director of the festival. The Inevitable Defeat of Mister & Pete will close out the 13th annual edition of Hbff on Sunday, October 6, 7pm at the Montalban Theater, 1615 Vine Street, Hollywood, CA.  Codeblack Films/Lionsgate will release George Tillman Jr.'s The Inevitable Defeat Of Mister And Pete in theaters on October 11. The drama stars Jennifer HudsonSkylan Brooks, Anthony

Escape from Tomorrow (2013)

In a world of fake castles and anthropomorphic rodents, an epic battle begins when an unemployed father's sanity is challenged by a chance encounter with two underage girls on holiday.

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A labyrinthine descent into the grotesque extremes of a Disneyfied society, "Escape From Tomorrow" is surreal for many reasons and wholly original because of them. It's also a daring attempt to literally assail Disney World from the inside out. The loosely constructed, starkly black-and-white directorial debut of Randy Moore, which follows a family on their twisted final day of vacation in Disney World, takes place throughout the theme park behemoth and appears to have come together without an iota of permission. Moore portrays Disney World as the ultimate horror show -- and gets the point across in nearly every scene. Beyond the issue of whether or not it has the legal right to exist, however, "Escape from Tomorrow" displays a fascinating ingenuity in its appropriation of the Disney brand. Seeming everyman Jim White (Roy Abramson) awakens at the start of the story to learn that he has lost his job for inexplicable reasons

Going to Disneyland as a child, I heard there were cameras in the bushes. My mom's best friend, a California native, said she had considered working there in her youth and heard that employees who didn't cooperate with the "Disney way" were immediately terminated. This knowledge (or hearsay) helped dissuade me years later from applying to the Disney College Program.
So when I heard that writer-director Randy Moore had shot his debut Escape From Tomorrow at both Disneyland and Walt Disney World, without requesting permission, I became intrigued: If there really are cameras in the parks bushes, why would Disney executives allow a film to be created on their soil that has such blatant disregard for the company's image?
There are no cameras in the park's bushes ... or is that what Disney wants us to think?

Escape From Tomorrow is the film that shouldn't exist. Shot entirely on location in Disneyland and Walt Disney World, director Randy Mooreand director of photography Lucas Lee Graham filmed Escape From Tomorrow guerilla-style, without permission from anyone at Disney. This surrealist tale follows a father who, on the last day of his family's Disney World vacation, finds out he lost his job, and the theme park begins to lose its luster - even become threatening.
We spoke with Randy and Lucas at this year's Fantastic Fest, and they told us about almost getting caught, how they prepped for a shoot like this, and torturing their child actors by not allowing them on the rides.

Romeo and Juliet (2013)

When the star-crossed lovers of two enemy families meet, forbidden love ensues.

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Ed Westwick plays Tybalt in Downton Abbey creator Julian Fellowes's upcoming Romeo and Juliet, which holds fast to the time period and romanticism of the Shakespeare classic. We caught up with the actor to talk about tackling The Bard's beloved play and the film's wise-beyond-her-years Juliet, Hailee Steinfeld. Westwick also reflected on why he left NYC in his rearview after Gossip Girl came to a close and how he's working to transcend Chuck Bass in the next chapter of his career. Romeo and Juliet hits theaters on Oct. 11. Popsugar: Tybalt has always seemed to me to be maybe the most interesting character in Romeo and Juliet. What attracted you to this specific role? Ed Westwick: Well, first of all, we share something there, because I agree. I was always intrigued with the character ever since I was young, and when I heard the project was coming around, I thought,
This story first appeared in the Oct. 11 issue of The Hollywood Reporter magazine.  When Downton Abbey creator Julian Fellowes phonedNadja Swarovski, executive board member of the jewelry brand founded by her great-great-grandfather, to discuss his adaptation of Romeo and Juliet, she happily took the call. "He is a longtime family friend," explains Swarovski. "He said: 'Darling, we're looking for investors! This is my new script!' I thought, 'What a fantastic first step for us into filmmaking.' " The $3.5 billion global brand, headed by the bijou heiress, launched its film production arm, Swarovski Entertainment,
Playing Romeo and Juliet has its challenges, as Douglas Booth and Hailee Steinfeld now know. We sat down with the costars recently to talk about the period piece's constricting costumes and why the centuries-old love story is still as appealing today as ever. They also recalled their very first meeting, which happened to be at a ball, just like Romeo and Juliet's fateful introduction. This big-screen version of Romeo & Juliet, penned by Downton Abbey creator Julian Fellowes, hits theaters on Oct. 11.

Machete Kills (2013)

The U.S. government recruits Machete to battle his way through Mexico in order to take down an arms dealer who looks to launch a weapon into space.

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Director Robert Rodriguez brings everyone's favorite ex-Federale Machete back to the big screen this weekend with his upcoming sequel Machete KillsDanny Trejo reprises his title role from 2010's Machete, who is sent on a mission by The President (Carlos Estevez) to stop a terrorist (Mel Gibson) from blowing up the White House. We have a contest lined up where fans can win a poster autographed by Danny Trejo and Alexa Vega, along with a t-shirt. These prizes will be gone before you know it, so take a look at how you can win below.
Winners Recieve:
Machete Kills final poster autographed by Danny Trejo and Alexa VegaMachete Kills T-Shirt
Here's How To Win!
Just "Like" (fan) the MovieWeb Facebook page (below) and then leave a comment below telling us why these prizes must be yours!
If you already "Like" MovieWeb, just leave a comment below telling us why these prizes must be yours! 
Some movies make references to other films and some movies are nothing but references to other films. "Machete Kills" is one of the latter.Robert Rodriguez's endlessly winking sequel to his 2010 action epic "Machete" (itself an elongated version of a fake trailer he made for his collaboration with Quentin Tarantino, "Grindhouse"), "Machete Kills" piles on the references, allusions, and shout-outs until you can't hardly untangle what is a somewhat original Rodriguez contribution and what is from something the director caught one night on pay cable while trying to get to his recorded episode of "Duck Dynasty." Not that it matters much. "Machete Kills" works best when it becomes a kind of kicky blur. There are, of course, a handful of movies that act as essential touchstones for "Machete Kills," films that directly inform some aspect of the movie (usually with accompanying fountains of blood, coarse language, and sporadic nudity
The U.S. government recruits Machete to battle his way through Mexico in order to take down an arms dealer who looks to launch a weapon into space.
To exactly discuss Machete Kills in terms of film criticism is a test upon itself. We find Danny Trejo’s Machete, now a spy, recruited by the Us President, appropriately played by Charlie Sheen to take down an international criminal organisation lead by (once again appropriately) madmanMel Gibson.
Machete Kills must not be taken seriously. To take it with a grain of salt would be far too of an understatement. However, this doesn’t

Captain Phillips (2013)

The true story of Captain Richard Phillips and the 2009 hijacking by Somali pirates of the US-flagged MV Maersk Alabama, the first American cargo ship to be hijacked in two hundred years.

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  (screenplay),  (based upon the book "A Captain's Duty: Somali Pirates, Navy SEALS, and Dangerous Days at Sea" by), 1 more credit »

The last time I offered up a list of the best of 2013 was back in July, following my time at the Cannes Film Festival and smack dab in the middle of the Summer movie session. As it turns out, summer didn't offer all that much to be impressed by, but with three months between that list and this one, my list of favorites has grown and there are still a lot of films to look forward to. This is why I've broken up my list into several categories, beginning with those I've seen and have already been released in theaters to those I've seen that are still to come or don't yet have release dates. Following that is a list of eleven films I'm still most looking forward to seeing over the course of the next three months, all of which have a chance of making my top ten at the end of the year, »
It appears that Tom Hanks is getting back into his wheelhouse by literally getting into a ship's wheelhouse. The 57-year-old Hollywood icon plays the title role in Captain Phillips, based on the real-life hijacking of the Maersk Alabama by Somali pirates in 2009 — the first time an American ship had been captured in two centuries.
The tense drama is directed by Paul Greengrass, whose pitch-perfect United 93, about the hijacking of the plane that went down in Pennsylvania on 9/11, covered similar ground. As a historical drama, Captain Phillips also plays into Hanks' strengths. An avid history buff, the actor has spent much of his life starring in and producing history-based films and miniseries like "Band of Brothers"(World War II) and "From the Earth to the Moon" (the American space program).
Which is exciting for Hanks fans because, lately, his films haven't had the sort of impact they once did. 
Hours after the World Premiere of Paul Greengrass' newest psychological thriller "Captain Phillips," my heart is still palpating at a hundred beats per minute. Starring the magnificent Tom Hanks in his finest performance since "Cast Away," this edge-of-your-seat thrill ride lands as one of the best films of the New York Film Festival and the year.

An intricate and precisely executed thriller written by Billy Ray, everything about "Captain Phillips" works amazingly. It's this year's "Zero Dark Thirty" in tension and features not one, but two fierce performances from Tom Hanks and newcomer Barkhad Abdi. A loose dramatization and not a fact to fact retelling of a dark day for an American captain, the film takes us through the days Captain Richard Phillips' cargo ship was hijacked by Somali pirates in 2009. The film unravels itself with a narrative intensity bringing our hero from the day of his departure to the end of his journey. Writer Billy Ray's detailed and well-structured script provides Greengrass to do exactly what he does best in his directorial efforts. There are definite elements in "Captain Phillips" that remind me of the emotional and gut- wrenching effect that "United 93" had on so many of us nearly seven years ago. While you will have a near heart attack, you will be in tears by the end credits.

I haven't been this impressed with the work of Tom Hanks in years. Putting every ounce of his charm to good use but digging deep into a character with such raw and emotional fervency. Hanks' dedication and abilities utilized are the same tools used in his first Oscar-winning performance in "Philadelphia" I assure you. It's a turn that could make him this year's Daniel Day-Lewis. As his wife, the beautiful Catherine Keener is regulated to one single scene, at the beginning of our film, where Hanks dominates the conversation. Still a cherry on top if you ask me but not something that many will notice nor remember..

Breakthrough performer Barkhad Abdi is simply sensational. With a snarky demeanor as he calls Capt. Phillips "Irish" - Abdi plays Muse, a Somali pirate that is layered with pride and disdain for the human condition. Billy Ray gives him such a complexity, hinting at a sensitive undertone but not masking the overtly violent rage that embodies his soul; it's a creative formula that equals an interesting dichotomy. Abdi administers these traits brilliantly.

As you expect any Paul Greengrass film to be, the technical executions are top-notch including the intimate Cinematography by Barry Ackroyd and the tight editing of Christopher Rouse, both sure-fire Oscar nominees for awards season.

One of the amazing things about "Captain Phillips" is the final twenty minutes or so. Pent-up emotion that has built for nearly two hours, our hero's last moments with the audience are both triumphant and incredibly vulnerable. This is when Tom Hanks shows his true power as one of the finest actors to grace our screens. I admire the man. He captures the real human condition, both in courage and in the face of defeat. How would you react in what you thought could be your final moments on Earth? Who would you think about? What about if you did make it? Would you be so overcome with emotion that you couldn't focus on the blanket of safety that surrounds you, or would you just crumble into the fetus position, wanting to return to your place of origin? "Captain Phillips" renewed my love of the movies. It's what breathes life into my daily routine. It fascinates us and which is why, no matter how terrible our lives are, or how the economy falls beneath our feet, cinema still lives. Free as a bird. I'm in awe of all of this. I feel privileged to share those moments. Not to be hyperbolic or put focus on the Oscar race, which is what I do for a living, but "Captain Phillips" showed me what Tom Hanks really means to cinema. Our lives are habitual and ordinary at times, yet someone, every now and again, has the ability to capture those little quirks of our own selves. I think Hanks is this generation's treasure that will be remembered for years to come. I'm in near tears as I write this now. Paul Greengrass brought me personally into a situation that I will likely never be in and examined my frail and defenseless spiritual nature. Connection. That's what cinema is about. Few films do this. Many never will.

To get off the somber note, "Captain Phillips" is filled with high- levels of tension. Bring your defibrillator and a bottle of Xanex to make it through the picture as your heart will be beating outside of your chest. In so many ways, it's the perfect film. Real life, authentic characters, and a cast and crew that show up to deliver some of their finest works. A dynamite lesson of the human psyche.

"Captain Phillips" opens in theaters October 11.


 
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