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All the Boys Love Mandy Lane (2006)

A group of high-schoolers invite Mandy Lane, a good girl who became quite hot over the summer, to a weekend party on a secluded ranch. While the festivities rage on, the number of revelers begins to drop quite mysteriously.

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BAFTA TV Award and Tony Award winning actress Jennifer Ehle (Zero Dark Thirty,Contagion), Anson Mount (AMC’s “Hell on Wheels,” Safe), Abigail Spencer (Sundance Channel’s “Rectify,” Oz The Great And The Powerful) and Marcus Thomas (You Kill Me,Drowning Mona) join the cast of heist film The Forger.
The four will star alongside two-time Academy Award nominee and two-time Golden Globe winner John Travolta, Oscar winner Christopher Plummer (BeginnersThe Last Station) and Venice Film Festival Award winner for Best New Young Actor Tye Sheridan (Joe, MudThe Tree Of Life).
The film started shooting today, October 7th on location in Boston, Massachusetts.
BAFTA and Emmy Award-winning director Philip Martin (BBC’s “Wallander”) is directing from a script by Richard D’Ovidio (The Call)

Title: All the Boys Love Mandy Lane Director: Jonathan Levine (’50/50,’ ‘Warm Bodies,’ ‘The Wackness’) Starring: Amber Heard (‘Paranoia,’ ‘Zombieland’), Anson Mount (TV’s ‘Hell on Wheels’) and Michael Welch (‘Twilight’) Finding a way to intriguingly stand out from the crowd, and capturing a unique voice among your peers who are telling stereotypically similar stories, can be a difficult process for some. FilmmakerJonathan Levine, who has gained attention for helming such movies as ’50/50,’ ‘Warm Bodies’ and ‘The Wackness’ in his later career, is finally releasing his feature film directorial debut, 2006′s horror mystery thriller, ‘All the Boys Love Mandy Lane.’ Not only does the title character of the film
The Pain is Calling, Oh Mandy: Levinson’s Satisfying Debut Finally Hits Theaters
Premiering at the Toronto Film Festival way back in 2006, Jonathan Levine’s directorial debut, All the Boys Love Mandy Lane will finally hit theaters. Three subsequent films by Levine have been completed and released in the interim, and star Amber Heard has gone on to become a notable rising star in the Hollywood film system. Curiously, his debut is modeled after 1980s slasher flicks, though featuring better character development than many of the grindhouse titles it pays homage to. Trashily compelling in its over the top handling of the male gaze and consumption of the female image, there’s hardly anything revolutionary going on in the thanklessly delayed flick, and it’s blighted with a wowser of an ill-advised final twist
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